
2025_A VECES DUERMO CON LOS OJOS ABIERTOS
2025_NUNCA SUPE SI ESTABA SOGNANDO
2025_DON'T LET HER FEED ME TO THE MONSTER
2024_I SAW A SWARM OF FRUIT FLIES
2024_ALL MY LIFE I'VE BEEN AFRAID OF POWER
2024_WHO SHALL GIVE US FLESH TO EAT?
2022_EL BAILE DEL CENTENARIO
2020_LAND!LAND!
2020_VOLVER'E Y SERÉ MILLONES
2017_POR QUÉ LAS COSAS NO SE CAEN
2017_CIUDADES INVISIBLES
2017_MIL MANERAS DE OLVIDAR
Disguises of Power, 2022
White chocolate
90 x 60 x 40 cm
Venga le digo, curated by Samuel Lasso and Jenny Diaz
Biquini Wax EPS, Mexico City
Disguises of Power II, 2024
White chocolate, stainless steel refrigerator
210 x 80 x 75 cm
Lions carved in marble or cast in bronze often appear as silent sentinels of authority, stationed outside courthouses, national palaces, and public parks. They flank kings and queens, monuments and gates — emblems of strength, vigilance, and dominion. In Disguises of Power, this symbol is cast in veined white chocolate and installed alone in an open garden. Removed from its usual context of grandeur and institutional control, the lion returns to wilderness and vulnerability, encroached by overgrown foliage and exposed to heat, nature, and time. This piece is the first in a series that seeks to reflect on how public space is shaped and marked by symbols of domination, in an attempt to reappropriate and resignify them through acts of replication and material inversion.



